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El Camino is the seventh studio album by American rock duo the Black Keys. It was co-produced by Danger Mouse and the group, and was released on Nonesuch Records on December 6, 2011. The record was the band's follow-up to their commercial breakthrough, Brothers (2010).
El Camino draws from popular genres of the 1950s to 1970s, such as rock and roll, glam rock, rockabilly, surf rock and soul.All songs written and composed by Dan Auerbach, Patrick Carney, and Brian 'Danger Mouse' Burton.1. 'Lonely Boy'2. 'Dead and Gone'3. 'Gold on the Ceiling'4.
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'Little Black Submarines'5. 'Money Maker'6. 'Run Right Back'7. 'Hell of a Season'9. 'Stop Stop'10. 'Nova Baby'11. 'Mind Eraser'less.
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Allmusic Black Keys Brothers
PDR Compilation mix Of the blues, rock, garage duo from Akron, Ohiotracks from 2002 - 2014 releases including alternate versions, live and hip hop colabaration 'Blackroc'going into BK overtime with video audio, interviews.1.Breaks (intro)The Big Come Up 20022.Strange TimesAttack & Release 20083.Set You FreeThickfreakness 20034.Grown So UglyRubber Factory 20045.Strange DesireMagic Potion 20066.Sinister KidBrothers 20107.Mind EraserEl Camino8.CountdownThe Big Come Up 20029.It's Up To You NowTurn Blue 201410. AutomaticRubber Factory 200411.ThickfreaknessThickfreakness 200312.Black MuddBrothers 201113.OhioBonus track on Brothers released as a vynil 7'14.Howlin For You (second version)Brothers Deluxe 201215.What You Do to Me (featJim Jones; Billy Danze; Nicole Wray)Blacroc 200916.I Cry AloneThickfreakness 200317.Black SubmarineLIVE ending song at Gastonbury 201418.240 Years Before Your TimeThe Big Come Up 2002.PDR BK Overtime.20.Turn Blue World Tour 2014 AnnouncementDan AuerbachBK Youtube 201421.BreaksThe Big Come Up 200222.Turn Blue Teaser Video (audio)BK Youtube 201423. I Can't Find My Mind (The Cramps cover)Never Give Up On Your Hallucinations 2009 (Various Artists)24.The Baddest Man AliveThe Black Keys & RZA 201225.Interview: The worst jobsDan Auerbach, Patrick CarneyBK Youtube 201426.Tighten Up (version 2)Brothers Deluxe 2012.
If you thought the new wave of blues rock first kicked up by in 2002 had buried its dog, bellowed its last and done gone died around the release of ’, Ohio’s are here to keep kicking up that down-home desert dust. Ten years and seven albums down the lonesome lost highway from debut The Big Come Up being (wrongly) lumped in with the dense posse of Jack White wannabes, they’ve torn away from the pack, embraced modernity in the shape of producer and the 2009 hip hop project, cracked the Billboard top five and sold two million albums. They’ve even become soundtrack mainstays. Any movie set anywhere near a Midwest dustbowl? Or featuring hick zombies? Or a half-naked starlet chained to a radiator in Tennessee in dirty pants? Meet your new go-to geezers.They’ve achieved this, all told, by metaphorically slamming every retro button with open palms and enthusiasm.
Singer/guitarist Dan Auerbach and drummer/producer Patrick Carney gunge America in the face with everything they know and find sonically comfortable, all at once. On El Camino, mariachi, C&W, gospel, psych rock, blues and soul all mash together into a warm and occasionally dazzling torrent; their appeal is less in fresh sounds as fresh composites of old ones, wrapped around classically dusty tales of errant womenfolk and addiction to love.This seventh studio album throws up some fantastic examples: opener Lonely Boy takes base-level rock’n’roll and layers on synths, gospel blaze and mariachi twangs and ends up sounding invigorated and new, like burning alive in the. Dead and Gone bristles with psych noir classicism, grisly guitar noise and glistening melodies, as if scooped from Tarantino’s scratchiest B movie nightmare. Gold on the Ceiling, all glam handclaps and Rhubarb & Custard synth splats, even does a soul-swathed Glitter stomp around the hoe-down.
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At times you wonder if this is an album or an all-you-can-eat Americana buffet.For a record that rummages so excitedly through rock history, though, there’s a paucity of sucker-punch hooks here and, tellingly, it’s when The Black Keys nod to their own blues rock blueprint that they’re least engaging. Little Black Submarines is outdated blues balladry with a turgid second act that seems dug up from a desert grave in 2004; Mind Eraser is a poor man’s disco remix of The Sopranos theme; and Money Maker could be, well, by The Datsuns. No, it’s in the twangles of Hell of a Season and Lonely Boy and the shimmy of Stop Stop or standout track Nova Baby that El Camino finds its identity and The Black Keys their new purpose – to reinvigorate rock’n’roll from the roots up.
Torrent Black Keys El Camino Songs![]()
A heftier dash of melodic sparkle to their churn of genres and next time their meat might match their might.
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